A type of block-printed fabric, Ajrakh is
usually found in Kutch (Gujarat) and Barmer (Rajasthan). Woodblock stamps are
used to create different geometric patterns that are transferred onto the
fabric using natural dyes, including vegetable and mineral dyes. The most
common colours used include blue, red, black, yellow and green. One of the most
common dyes used for this type of printing is indigo.
Ajrak has been dated
back to Mohenjo-daro, where the kings and royals have been shown wearing
similar prints to those observed in ajrak patterns today. The beauty of ajrak
is in its simplistic yet elegant patterns and natural texture.
Another major form of block-printing found in
Bagh, Dhar district of Madhya Pradesh, bagh print replicates geometric and floral
compositions with vegetable colours, mainly red and black, on a white/cream
background. Any colours used as dyes are derived from natural sources,
including flowers, leaves, barks etc. Although this patterns are created
manually, the end-product is flawless and comparable to a machine-produced
print.
These prints can be
found on different types of cloths, including but not limited to: georgette,
silk, cotton, crepe, tussar etc.
Ikat: (DONE)
A type of resist-dyeing, Ikat or Ikkat is
majorly produced in Bhoodan Pochampally (Telangana) and Gujarat in India. These
patterns are widespread around the world, with many being used in Africa and
Latin America also. Contrary to other forms of resist-dyeing like Bandhej and
Batik, Ikat is formed by using a resist on individual yarns/bundles of yarns
rather than a woven cloth. The yarns are tightly wrapped up and then dyed, to
create beautiful patterns. This stepwise process is repeated multiple times in
order to produce all the intricate and multi-coloured designs.
What makes Ikat unique
is the apparent “blurriness” of the design, as the weaver usually finds it
extremely difficult to align the different yarns together to form an exact
pattern. This results in misaligned yarns, giving the blurry look. There are three
different types of Ikat fabrics: warp ikat, weft ikat and double ikat.
Warp
ikat utilises the dyeing of only the warp yarns, while the weft ikat utilises
the dyeing of weft yarns, which makes it even more difficult to produce. In
double ikat, both warp and weft yarns are resist-dyed and is therefore, the
most difficult to produce. The double ikat found in Patan (Gujarat) is the most
complicated amongst the different varieties, and is known as ‘patola’.
Kalamkari originates from qalam (pen) and kari
(craftsmanship). Majorly found in Hyderabad, this is a type of hand painting or
block-printing on clothes. There are two types of kalamkari art in India - the
Srikalahasti style and the Machilipatnam style. The Srikalahasti style uses a
pen for freehand drawing of the subject and filling in the colors.
Machilipatnam style uses wooden blocks for the creation of different designs.
Both of these styles flowered around temples and their patronage and so
had an almost religious identity - with deities and scenes taken from the Hindu
epics - Ramayana, Mahabharata, Puranas and the mythological classics.
Kalamkari only utilises
natural dyes, with a variety of patterns obtained using cow dung, seeds,
leaves, flowers and plants.




nice post
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